Another deck of the XVIII century is explained by Breitkopf: “This deck has four suits: Ven (civil), Woo (military), Co (science), Juan (0cademy), nine cards of each suit. Each card has an appropriate title in this lawsuit. In such a way we have the most important ranks of the civil hierarchy and especially the most important officers from small to senior. ”
Prunner has distinguished three main elements in Chinese XVII cards: literary quotes; toast and desire; suitable in the form of monetary denominations (from hundreds of thousands and tens of thousands to hundreds and coins). Then the official and toast disappeared from the card and only the quote and the money were left. The most famous Chinese card is a money card. The value of the card is determined by the Judi Slot Online.
The most ancient Japanese cards are made from conch shells and are intended for literary entertainment from educated people. The lines of the poems are drawn on the shell. The aim of the game is to combine the shell correctly (to write poetry). This game is the forerunner of the game called “one hundred poets”. The classic collection of poems of hundreds of VII-XIII centuries poets is presented on these cards in the following way: one card with a picture of a poet, another with lines or lines from his poetry. The players must match the cards correctly.
Their appearance in the seventeenth century was associated with the name Claude Oronce Fine, who published one of the first decks with the symbol under the pseudonym de Brainville in 1660 in the Lion: Jeu de Blason, Father Ménestrier, who issued the same deck of cards a few years later, tells of Fine’s first unexpected problem: some princes are seriously offended because they are described as jacks and aces. The cards were confiscated by the judge and Fine had to change the picture. However, soon the deck writer became very successful and the card was reissued with a new symbol. A community of young aristocrats named “Armorists” was formed in Naples; they studied the symbols of many noble families. From Naples the idea reaches Venice. In 1682 Benedictine, Dom Kasimir Frescott, offered the Doge of Venice and the Venetian Senate a deck with the Venetian aristocracy. An additional book to the deck says: “Virtue in the game or the famous Venice of a noble family”.
A deck of historic gambling cards.
The subject of the pictures on the card is a historical personality. Describing heroes of ancient times (Alexander the Great, Caesar, Carl the Great, etc.) As card kings, antique goddesses and great women (Athena, Jeanne d’Arc, Judith and others.) As queens, extraordinary brave men (Hector, Decius, Lancelot, etc.) As a jack – became a tradition almost from the birth of card production in Europe. Artists paint card characters similar to the lives of modern kings, commanders, and their intelligence in their day (Karl VII, Agnès Sorel, etc.). For example, during the Great French revolution, the kings on the cards were replaced with free thinkers and tyrants: Voltaire, Hannibal, Horace, La Fontaine, Molière, Rousseau, Saint-Simon. Many large art-value cards are painted by famous artists and carvers in high and strong order. So, these cards present invaluable historical material that makes it possible to do a lot of research and study.
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